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Tchaikovsky’s “QUEEN OF SPADES”

Concert performances of operatic works are really for the enthusiasts.  This was delightful music with some soaring passages, liquid melodies and arresting dynamics.  Often doleful and serious, absent were the sonorities of Tchaikovsky’s heart-tearing compositions and the playful invention of … Continue reading

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Pixar: Behind the Screens

Of all the wonderful events at GRAPHIC in November this year the one I got to was Lee Unkrich’s lively and very informative presentation of the development art and production methods of Pixar. He said he wanted to show things … Continue reading

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Tim Winton’s “SIGNS OF LIFE”

A bold, fairly minimal setting – almost 2-dimensional, made me concentrate on the performances in this play which were intense and engaging. We might have been watching figures move about on a tapestry revealing the true depth of their inner … Continue reading

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QUALMPEDDLER

Bill Bailey is a funny man. And he does his homework. He knows exactly how to play an audience and involve them in his humour. He knows exactly where Lara Bingle sits in the Australian zeitgeist. His comedy bristles with … Continue reading

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AWGIES 2012

I’ll always barrack for excellence in writing and this is the writer’s night of nights. At Dalton House there were awards a-plenty and John Doyle kept the night just ahead of schedule, peppering the tempo with his own flavour of … Continue reading

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Biennale of Sydney 2012

In early August I was lucky enough to be part of a mystery tour of Cockatoo Island with a celebrity guide thanks to Gaston Nyugen from the Art Gallery of NSW. Too many instalations left me speachless but I’ll try … Continue reading

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Die Tote Stadt

Korngold’s opera directed by Bruce Beresford was a must see. Visually innovative use of projections played wonderfully with the ideas of dreaming and obsession. Staging and lighting were evocative with some strong diagonals and glancing light. Vocal performances were thrilling. … Continue reading

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Fred Williams

Got to the Fred Williams “Infinite Horizons” retrospective at the Australian National Gallery last year. Seeing so many of his works assembled in one place was truly breathtaking, multiplying the experience of mere reproductions one hundred fold. Genius.

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No Man’s Land

I saw the wonderful Sydney Theatre Company production of Pinter’s play just recently – Gaden and Carroll attacked the text with ebullience and a half gallon of whisky.  Alcohol makes memory a stranger.   And we must with Pinter’s play, as … Continue reading

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Comedy Masterclass

The directors’ audience with the delightful, animated Francis Veber as part of the Melbourne International Film Festival in August was a triumph for all of us lucky enough to attend. He took us through practical considerations; a strong premise, pace, … Continue reading

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